2014年12月14日 星期日

Spot the differences...I am sorry to say again it's Moyesey

Spot the differences :)

None of the Manchester United's starting 11 is from season 14/15 summer purchase. This shows the obvious changes between LVG and David fucking Moyes.

So......I am sorry to say again it's Moyesey.

__________________________________________________
Season 14/15

14 December 2014

Manchester United 3 : 0 Liverpool

STARTING LINEUP:

Manchester United: De Gea; Valencia, Jones (McNair 89), Evans, Young; Carrick, Fellaini, Mata; Wilson (Herrera 71), Rooney (c) (Falcao 78), Van Persie.

Unused subs: Lindegaard, Blackett, Fletcher, Januzaj.

Booked: Fellaini, Jones, Evans, Rooney.

Liverpool: Jones; Johnson (Toure 26), Skrtel, Lovren, Moreno (Markovic 68); Henderson, Allen, Gerrard (c), Lallana (Balotelli h-t), Coutinho, Sterling.

Unused subs: Mignolet, Can, Lucas, Lambert.

Booked: Gerrard, Allen, Balotelli.

__________________________________________________

Season 13/14

16 March 2014

Machester United 0 : 3 Liverpool

Manchester United

  • 01 de Gea
  • 02 Rafael Booked
  • 03 Evra
  • 16 Carrick
  • 04 Jones
  • 15 Vidic Dismissed after an earlier booking
  • 08 Mata (Ferdinand - 87' )
  • 31 Fellaini (Cleverley - 76' )
  • 20 van Persie
  • 10 Rooney
  • 44 Januzaj (Welbeck - 76' )

Substitutes

  • 05 Ferdinand
  • 13 Lindegaard
  • 18 Young
  • 19 Welbeck
  • 23 Cleverley
  • 25 A Valencia
  • 26 Kagawa

Liverpool

  • 22 Mignolet
  • 02 Johnson
  • 38 Flanagan Booked
  • 08 Gerrard Booked (Lucas - 87' )
  • 37 Skrtel Booked
  • 05 Agger
  • 14 Henderson
  • 31 Sterling (Coutinho - 72' )
  • 15 Sturridge Booked (Iago Aspas - 92' )
  • 07 Suárez
  • 24 Allen

Substitutes

  • 01 Jones
  • 09 Iago Aspas
  • 10 Coutinho
  • 12 Moses
  • 17 Sakho
  • 20 Cissokho
  • 21 Lucas
Ref: Mark Clattenburg
Att: 75,225

2014年9月3日 星期三

Open Letter to Shinji Kagawa from a Manchester United fan

Open Letter to Shinji Kagawa from a Manchester United fan


Source: http://www.sportskeeda.com/footb ... nchester-united-fan

Hello Shinji, 


I called it destiny when you arrived at Manchester United. I call it injustice when you have left just two years later.

Every United fan was genuinely excited when you arrived. Having watched you tear it up for Dortmund, we were sure we had signed a world class player who would transform the club.


You were going to be our number 10. United had been famous for wing play, crosses and mainly the 4-4-2. We believed that you will bring about the modernization of the club, change the way we played. We were licking our lips at the thought of you and Rooney linking up. 

I still vividly remember watching the first game of the 2012-13 season against Everton. On a night when everyone else struggled, you caught the eye by nonchalantly putting Javier Hernandez through on goal twice. But you were overshadowed by the (non) contributions of one Mr Robin van Persie, a trend which had continued till date and had finally resulted in your departure.

Over the course of the next two years, the number of games you started in your favoured position are just a handful. Gross injustice. The left wing was where you got stuck and that shackled your creativity.

In hindsight, the second season would perhaps have been better. Wayne Rooney may have left and you may well have made the number 10 your own, but all that went down the drain when David Moyes arrived. It was silly to expect a manager who likes a Tim Cahill/Fellaini type of number 10 to understand and even think of playing you. He played you there for a game and half and was rewarded with the best football under his tenure – against Bayer Leverkusen and Swansea.

Come the January transfer window, the club needed a 'statement signing' and on came Juan Mata to push you further down the pecking order. There were a few games where you both combined well, but that was just a flash in the pan.

You are a classic example of how things are not so straightforward at big clubs like United. Having talent isn't enough. Fate. Destiny. Luck. Lot of factors kick in and agonisingly for you and the fans, you did not have those factors going for you.

Or perhaps it was just tactical. Maybe managers did not see your fast one touch pass & move based style fit in with the slower playing style of United. It was disheartening to see mediocre players get chance after chance while you were relegated to the bench.  But for two years, no matter how much you were mistreated, there were neither any complaint nor any whining. You have always given your best and fans will always remember that with gratitude.


Some dreams are never fulfilled. Some goals are never fulfilled. Some journeys do not reach their destination. All we are left with is thoughts about how well it could have gone and regrets about how badly it has gone.

You have gone back to a place where everyone adores you. Where the coach knows how to get the best of you. We are all happy for you as your talents will be on show again. On behalf of Manchester United and its fans, I wish you all the very best for your second innings at Borussia Dortmund. I will continue to follow your career closely. I hope that you make us regret selling you.

Regards, 

A Manchester United fan and Shinji Kagawa admirer.

2014年8月31日 星期日

.Van Gaal’s philosophy begins to take shape, still not great

Van Gaal’s philosophy begins to take shape, still not great

utd-jones
Louis Van Gaal has repeatedly reminded those who ask him that it takes a lot longer than three months to build a team and that a year is probably more realistic. Or three years. Or just shut up OK? It’ll probably work!
Before the Burnley vs Man United game a lot was made of the purchase of Angel Di Maria and whether he was a “Manchester United signing”, harking back to the days of wide wingers like Ryan Giggs. More or less unanimously, pundits agree that he is indeed “a Manchester United player”. Because Man United play with wingers, right? That’s their thing?
It turns out a lot needs to be learned, including clearly defining the difference between changing the way an entire football club has worked for 30 years and changing the way a team lines up for a match.
The philosophy isn’t just a switch to a 3-4-1-2 or 3-5-2 formation, it’s an entirely different way of understanding the game. This is what Van Gaal means when he says that he can’t just build it from scratch. The line up looks like this on a tactics board:
man-utd-1
Sir Alex Ferguson made 4-4-2 and 4-4-1-1 the default formations over his 25 year reign and these depended heavily on the width created by wide runners. The play was directed to a powerful central midfield who would hold the ball until it could be played into wide players, who would in turn run a bit and then try and cross it in.
Van Gaal doesn’t care about tradition – he’s making a whole brand new thing! One with running EVERYWHERE
man-utd-2
In Van Gaal’s system the three central defenders are required to occupy the width of the pitch, be able to pass and simply have to be three of the best ball playing defenders in European football. It’s totally easy to do over night.
Darren Fletcher anchors it in the middle, but with the team bereft of confidence and the opposition built to counter attack, nobody in defence wanted to take the risk on threading through a pass. Punting is easier.
Furthermore, the players just don’t look like they understand where they’re actually supposed to be yet. This shape works perfectly if everyone takes position in the space that the formation creates but instead it seems that this diagram below is more what United players seem to think they’re meant to do:
man-utd-3
So you want actual proof do you? Well how about this:
man-utd-1
Valencia is somewhere off screen instead of the position he should be in and every other United player is marked except for the defenders. Jonny Evans and Tyler Blackett aren’t exactly renowned for their attacking exploits and both – clearly confidence is important here – don’t want to take any chances and so spread the play back and forth. There is no conviction and everything is very slow and predictable. EASY TO DEFEND.
Fletcher, who is there to protect the defence and provide the pass that begins an attacking move, is marked by two players meaning that the defenders need to pick a clever through ball or just punt it somewhere towards the strikers. Guess which they did a lot?
man-utd2
The shape of the team means that Burnley’s strikers are left in a position where they are unable to press properly. If the defence sits deep then the opposition can’t get near them, but it also means that the wing backs/full backs have to run at a packed midfield. Instead of doing that, Ashley Young and Antonio Valencia received the ball and passed it straight back over and over and over. It was very boring. It was so, so boring.
man-utd-3
Di Maria had some impressive moments and constantly looked to attack but with nobody around him 100% sure of where they were meant to be, players like Mata and Van Persie just couldn’t get in the game.
It wasn’t just United’s confusion that led to their lack of chances created either, Burnley were set up to frustrate them and did it very well.
man-utd-4
The philosophy that Van Gaal is trying to implement runs from the first team right down to youth players. It’s the same that he instilled in Ajax, Barcelona and Bayern Munich – quick passing, fluid movement, constantly changing positions. In the words of Alan Partridge, it’s liquid football.
While United figure out what on earth it is he’s actually trying to teach them, teams that are better organised defensively but have less talented players (Burnley) will find it relatively easy to prevent them from scoring.
Some lifelong fans don’t know how to deal with watching an inept Manchester United. Look at the sadness in Paul Scholes’ eyes:
man-utd-scholes
Paul Scholes continued punditing into the second half stressing that United needed to get the ball out wide to Young and Valencia and that it was too congested in the middle. This is probably because he only ever played in Man Utd teams with two wingers and hasn’t had to adjust to anything like the current team – that’s the way he won every trophy ever, so why wouldn’t it work?
The wide players in this new system are designed to create space for the central midfielders, offer an option going forward, and the forwards are expected to create intricate pieces of sharp passing. The problem is the English game’s default setting when nothing is happening is to “just hit it forward, something will probably happen”.
The English philosophy for years has been built on pace, power and dynamism. For Van Gaal, patience is key. Think about how watching Barcelona a few years ago could be pretty dull. Did they win stuff? Yes. Yes they did.
man-utd-5
On Monday Night Live about two years ago, Gary Neville explored how Barcelona play with hugely seperated centre backs as it forces the opposition to press high, creates space and eventually wears the defending team down. If you click on the link above you’ll see him take apart El Classico and show how Real Madrid capitalised on mistakes made by Barca’s defenders and holding midfielder, allowing them to score.
In this example, the philosophy never changed and eventually Real grew tired from chasing Barca around the pitch, resulting in a win for Pep Guardiola‘s side as they exploited the tiredness.
Guardiola may have been in charge for that game and oversaw the greatest club side probably ever, but Van Gaal is the man who set the foundations for the Barcelona team he took over – Guardiola was his assistant for a period of time too. Bayern Munich, another team who switch positions, explore space and play short, flowing football were set up by the Dutchman before he eventually got fired.
Jonathan Liew’s brilliant Van Gaal Dossier explores this more but my point here is that United keep making lots and lots and lots and lots of mistakes and the shape leaves them completely vulnerable to a counter attack.
If you don’t have brilliant, tactically aware and confident players, eventually the game hits 0-0 in the 90th minute and you’re playing against an entire team of defenders.
man-utd-6
The team is learning a completely new formation in a very competitive league, have players that don’t really fit the system (Mata is not a central midfielder) and the whole thing depends on players constantly switching position and understanding each other.
New signings take time to adjust but as Val Gaal asserts, the results aren’t important, it’s all about getting the system right. Once it does, and that has taken time (a couple of years minimum) in his previous clubs, United will be fairly scary to play against. At the moment, everyone wants to play them.
The fear factor at Old Trafford may have temporarily hidden in the toilets, but the signs that Van Gaal is going to stick with the philosophy that has been so successful for him in the past are there. At the moment it is causing his own team trouble and as long as he keeps the players believing in the eventual benefits, it will probably work.
At the moment they’re a mess. This is like calling a really good plumber round to fix your bath but then he works out the shower in the room above has a problem too and the roof has actually been falling through for months, and the best thing to do is just move the bathroom to another part of the house – it will look brilliant, be futuristic and beautiful to look at. You’ll probably win prizes!
The last guy you had in just tried to work around the problems and that didn’t really work, and you have the money anyway… so you tell him to go right ahead. About three months in you kinda get a bit sick of having to use the neighbours’ shower and start to get antsy. “FIX MY BATHROOM SOONER” you yell, but only when you’re on your own and not surrounded by people who’ve been reading loads about plumbing recently.
And if that analogy doesn’t make sense to you, just remember that I really regret listening to that plumber.

2014年7月9日 星期三

【決勝 第2セット】 第20回全日本ドッジボール選手権 全国大会







Seems like Japanese dodgeball competition final. The atmosphere was unbelievable, Japanese showed their enthusiasm.

Now I know why so many Ex-Cos were in KamWai's Dodgeball Society 2011-2012. Shit, I start to reminisce about that day...The Club Photo Day.

2014年6月28日 星期六

2014年6月27日 星期五

Luke Shaw Signs!! | Manchester United Transfer News | FullTimeDEVILS

Not sure this is good signing or not, However, Manchester United are finally buying early, I feel the future is bright, more signing will come soon !









Next signing? I hope there would be several CB - central defender and CDM - central defensive midfielder.

2014年3月16日 星期日

2014年3月8日 星期六

Shinji Kagawa All goals and assists 11/12 香川真司 全ゴール&全アシスト 11/12





Awesome atmosphere at 12:26.

Superb goal at 12:54, 7 one touch passes and then a one touch finish.



No doubt Man Utd ruined Shinji.



"Kagawa cant and wont play like this in MU.. His skill sure is good, but not worldclass, he is still a team player that depend on his teammates shot passes.. In Dortmund, there was Lewandowski, Gundogan, Reus, Goetze.. What do you expect he do with the players like Valencia, Young, Cleverley etc???"



Good point, as there is a punk manager David Moyes at Man Utd...

2014年3月2日 星期日

見證記錄直播147

 | 3rd Mar 2014 | 
Picture

感動,自己係第一次 LIVE 睇到147,仲要係超越皇帝的第12次記錄147
自己雖然唔喜歡用見證這二字,惟想不到用何字代之
自己傻傻地一齊舉臂歡呼,寵辱頓忘emotion
時間都4點半,開心到毫無睡意
唔緊要啦
emotion

COME ON RONNIE !!!

2014年2月16日 星期日

二月中記事


二月中,係全港學界律詩比賽最後衝刺期...


我學詩既起步較遲,進步亦慢。去到大專,雖然平仄已經可以明確辨別,比以前有進一步暸解,不過對於詩,仲係未到比賽的水準(未有大專水準,唔知中學組水準有冇呢emotion),知道寫詩唔係純粹填平仄對對偶埋韻律既小遊戲;若構思混亂,詩意不足,文句過顯白,沒有餘味,這樣既詩即使符合規矩,亦係下等作品。
所以我開始考慮唔急於寫詩投稿,免於開了個壞名。不過我仍然能夠從詩中尋樂,因為寫詩要係限定字數中寫作,其實對自己鍛練文筆、語文水準係有好大幫助,當然與新詩有好大分別(個人偏見唔鍾意新詩)。
另外上個月聽聞母校係二月中開始,會於放學後開詩詞文學欣賞班,一共三場,上星期以舊生身份返過去作客於末席旁聽一日,發現班中都有十幾二十人,這給我帶來一個驚喜,仲要個個都貌似專心致志,實在係異常難得,希望下兩場人數能夠保持或者增加。當然就係更希望透過呢三次文學班令一眾師弟明白,垃圾dse既中文白痴卷同中國文學係兩樣唔同既事,今後冀望有人向學校稍微施壓,勸校方恢復中國文學科。母校坐於班房中聽課,五年半既美好中學課堂生涯又在腦海中浮現,好景稍縱即逝,一去不返矣,昔日有多少事,都付笑談中了。
畢左業半年,每一次返到去都會見到自己認識既舊生,會見到一兩個自己認識既學弟,亦會見到平易近人既老師,還有熟悉既人物事情在其中,而步入校園,感覺有一股人情味在當中,最少至今仲有,不知幾年後或者下一兩年,仲殘餘幾多呢 emotion



2014年2月10日 星期一

Moyes' Tactics(vs Fulham All Crosses)



Moyes' Tactics(vs Fulham All Crosses)


Fucking hilarious
Moyes ruins ManUnited.






Playing Man Utd is EASY! Fulham boss Rene Meulensteen mocks David Moyes

FULHAM boss Rene Meulensteen has taken a pop at Manchester United boss David Moyes.



Rene MeulensteenJIBE: Rene Meulensteen hit out at Manchester United [EPA]
Meulensteen - who was first team coach under Sir Alex Ferguson - has mocked Moyes' tactics as "straight forward" and reckons defending against them was "easy".
The pair were embroiled in a pre-match row over whether Meulensteen had been offered a job at Old Trafford.
Moyes claimed he had - suggestions that Meulensteen rejected.
The Dutchman guided his new club to a 2-2 draw at United yesterday and said: "When I saw Manchester United today I thought the game-plan was quite straight forward - get it wide, get it in.
david moyesCRISIS: David Moyes cut a forlorn figure after his side drew with Fulham [PA]
"If you're well organised and the goalkeeper is in good positions to come and collect the ball it can be easy [to defend against]."
United flung a record 81 crosses into the Fulham box.
But with 6ft 7in centre-back Dan Burn in the Cottagers ranks, most of them were comfortably dealt with.
Meulensteen added: "You need a little bit of creativity and a bit of variety at times to open [teams] up.
Darren Bent celebrates with John Arne Riise and Kieran Richardson after scoring the 2-2 equaliser [EPA]
"It was partly straight forward.
"We know that we had to be more compact and tight in wide areas because United would cross the ball a lot."
Moyes rejected the claims there was no Plan B and said: "It wasn't always one way.
"One of the big things about Manchester United is that they do play with width, they do cross the ball, its in their genes here."

梅倫史甸:莫耶斯用兵似新手

【now.com體育】富咸領隊梅倫史甸對曼聯領隊莫耶斯毫不「畀面」,直指對方的戰術直接單調,猶如新手。富咸周日作客曼聯,下半場尾段一度被對方反先下,最終仍能在補時階段迫和紅魔,撿回對護級極為重要的1分。曾擔任費格遜助手的富咸領隊梅倫史甸(Rene Meulensteen)賽後非常「得戚」,表示要應付曼聯「易過食生菜」。 梅倫史甸表示,曼聯未能全取3分全因莫耶斯的戰術安排猶如新手:「當比賽剛開始不久,我已經看穿了他們的戰術,他們在進攻方面只是簡單直接的傳送,我們知道曼聯只會在兩邊傳中,因此我們只要把防線安排得更緊密便可,更糟的是莫耶斯根本沒有第二套應急戰術。」 對於沒有「Plan B」的批評,莫耶斯聞言後即作出反駁:「我們並不是只有一種戰術,直線滲透和側擊傳中是我們的強項,也是曼聯足球的基因。」 梅倫史甸過去效力曼聯5年期間,一直都是費格遜的得力助手,今季在莫耶斯走馬上任後,便被要求調任青訓主管,在被「降呢」的情形下離任,亦是繼費倫及史泰爾之後,第3位於莫耶斯上場後離開的曼聯舊臣子。對於莫帥,他自是不留情面。

2014年2月9日 星期日

痛心,痛心,痛心 - MAN UTD 2-2 FULHAM


由六年前玩y!blog開始至今,第一次寫睇波後感。
  "Even with Juan, the MATA has not changed, Tom cant play CLEVERLY, Ashley has failed to mature cos his game is still YOUNG, Antonio is good only for a club like VALENCIA, if you have an average LB like Patrice you will never EVRA win anything and let me tell you, if you fail to make Top Four and give David MORE YEARS even Wayne will be ROONING away from da club" Albert Einstein
 呢位人兄講得好好,手下有幾多好球員、球員有幾強都好,因為阿頭唔識用,成隊波都係唔會掂,唔會好轉。正如送部智能手機畀科技白痴既公公婆婆用一樣。emotion
今場波cross左80幾次都有,對面富咸班後衛咁高大,你係咪應該改變下戰術呢,照cross埋去佢地又順利解圍番出黎; 改戰術呢樣,無論香港定外國班球迷都唔知講左幾多季,有香川有mata但戰術都係照樣兩翼出波。上季中段記得用過4-1-2-1-2 菱形陣,效果眼前一亮,唔知點解用左陣又變番兩翼出波...
曼聯人腳(球員)同上年基本冇變,而成績差天共地,其實唔係問係邊方便出左問題,唉,自从一月三連敗,moyes同佢班教練團一早要out 啦。點解到而家仲可以響度
睇番今場,曼聯兩個失波,我都冇反應,一來可能真係今年睇波失波輸波已經麻木,二來兩個失波都好似打FIFA果隻輸法,正如Martin Tyler同Alan Smith所講 "Schoolboy defending"
 同第四位已經爭9分,第五位都有6分之差,對榜尾都贏唔到,前四肯定無望(除左高層肯即刻止蝕,爭歐霸有機既)

逗嬰既勇氣


見到一啲可愛既野,自然咁多望兩眼,都好正常
甚至見到親戚朋友下一代蘇哈小朋友,會自然去抱下、逗下佢地
但我愈來愈發覺一樣野,響長輩在場之時,自己會唔夠膽/唔好意思去抱下、逗下佢地;但如長輩不在場/少長輩在場,我或許就夠膽去享受瞬間既抱嬰逗蘇哈之樂。我尋晚諗左一陣,原因究竟係咩呢?

暫時自問自答,一係自己性格內向,二係在長輩面前保持低調(同係長輩面前唔講粗口一樣),三係怕羞。呢種程度,可能相比起對心儀對象表白,更需要勇氣。emotion

不過,遠觀而不玩,睇住長輩輪住逗嬰,蘇哈仔趣怪多樣既得意表情樣,都係另一種享受既 

2014年2月8日 星期六

五絕 - 春茗


都好耐冇寫過五絕,靈感一到,在酒樓當場寫番首
即場作詩,未經過多層思考,質料差難免
但出口成詩,真係有成功感 

          春茗
春茗馬年逢 人人樂樂融
童身躬問候 利事在源中

琛 寫於二零一四年二月八日 

2014年2月7日 星期五

Holland moon暱號回憶


msn執了,y!blog都執了,卻突然有想用番blog諗法,重新登入自己holland moon的帳號,勾起左些少回憶...
記得自己當初申請hotmail,玩msn,用holland moon呢個有「好撚悶」既音做名稱,係因為自己放緊假,當時悶到至極,跟住就用holland moon做暱稱,用慣了,打機、網名、申請新mail等等好多時都用呢個暱稱。

提到holland,就係「好撚」,「撚」字係時下人差唔多個個都發錯音,在上學期的文字學堂中,我自己為左彰顯己識攞平時分,用「撚」字做n音例子用過好多次,讀法應係nan2n音而唔係l音,而且「撚」字古雅常用,撚,係用手指搓之意思。

如李清照《訴衷情》:「更挼殘蕊 更撚餘香 更得些時」、白居易〈琵琶行〉「低眉信手續續彈,說盡心中無限事。輕攏慢撚抹復挑,初為霓裳後六么。」不過呢處「撚」字應讀nin2
《說文解字》:撚,執也。从手然聲。一曰蹂也。乃殄切。廣韵曰。撚者,以手撚物也。

起初用holland moon呢個暱稱至今,唔經唔覺,七年矣!

2014年2月6日 星期四

為整理文貼而忙咗成晚


今日用咗成晚去整理一啲同粵語有關既舊詩詞(清代以前),
其實淨係copy都幾悶下,但又可以講好悶,始於自己對呢啲資料有興趣先會整理,中途有啲字個原網冇show到出嚟,自己特登去搵原文,搵清稗類鈔又有,搵漢典搵說文解字又有,未算得益住,因為掛住抄都冇詳細去睇

不過呢類功夫都唔係第一次做,算習慣既;之但係對住部電腦成晚,認真係覺得頭痛同疲勞。
唉,人開始大,記性漸差,抄野寫野都比以前慢左拍 emotion

同時用google同sina寫blog,貼左幾篇野,忽然覺得y!blog功能唔差emotion

《清稗類鈔.詼諧類.俗語聯》、《清稗類鈔.譏諷類.奮到黃巖亦怪哉》


《清稗類鈔.詼諧類.俗語聯》﹕「有集俗語成聯者,如:七合升兒八合命,五花腸子六花心。打虎還是真兄弟,騎驢撞見親家公。龜頭有志終須貴,朝裏無人莫作官。」  《清稗類鈔.譏諷類.奮到黃巖亦怪哉》﹕「會稽趙之謙﹐字撝叔﹐一字益甫﹐多才多藝﹐於金石書畫詞章篆刻﹐靡不精妙。傲岸自喜﹐雅善詼諧﹐玩世不恭﹐輒籍書畫以寄諷。某年﹐客黃巖縣署﹐閱書院試卷﹐文中用『奮』字者﹐輒寫作『奞臼』﹐屢戒不悛﹐乃書七律於卷端諷之。詩云﹕ 奮到黃巖亦怪哉﹐將田換個臼拿回。 豈從佃父收租後﹐或是工人舂米來。 送舅須防男變臉﹐養兒防是鬼成胎。 畜生下體雖無恙﹐日久終須要鑿開。」

2014年2月5日 星期三

馬詩二十三首

馬詩二十三首
李賀

龍脊貼連錢,銀蹄白踏煙。
無人織錦韂,誰為鑄金鞭。

臘月草根甜,天街雪似鹽。
未知口硬軟,先擬蒺藜銜。

忽憶周天子,驅車上玉山。
鳴騶辭鳳苑,赤驥最承恩。

此馬非凡馬,房星本是星。
向前敲瘦骨,猶自帶銅聲。

大漠山如雪,燕山月似鉤。
何當金絡腦,快走路清秋。

饑臥骨查牙,粗毛刺破花。
鬣焦朱色落,發斷鋸長麻。

西母酒將闌,東王飯已幹。
君王若燕去,誰為拽車轅。

赤兔無人用,當須呂布騎。
吾聞果下馬,羈策任蠻兒。

飂叔去匆匆,如今不豢龍。
夜來霜壓棧,駿骨折西風。

催榜渡烏江,神騅泣向風。
君王今解劍,何處逐英雄。

內馬賜宮人,銀韉刺騏驎。
午時鹽坂上,蹭蹬溘風塵。

批竹初攢耳,桃花未上身。
他時須攪陣,牽去借將軍。

寶玦誰家子,長聞俠骨香。
堆金買駿骨,將送楚襄王。

香襆赭羅新,盤龍蹙鐙鱗。
回看南陌上,誰道不逢春。

不從桓公獵,何能伏虎威。
一朝溝隴出,看取拂雲飛。

唐劍斬隋公,拳毛屬太宗。
莫嫌金甲重,且去捉颴風。

白鐵剉青禾,砧間落細莎。
世人憐小頸,金埒畏長牙。

伯樂向前看,旋毛在腹間。
祇今掊白草,何日驀青山。

蕭寺馱經馬,元從竺國來。
空知有善相,不解走章臺。

重圍如燕尾,寶劍似魚腸。
欲求千里腳,先採眼中光。

暫係騰黃馬,仙人上綵樓。
須鞭玉勒吏,何事謫高州。

汗血到王家,隨鸞撼玉珂。
少君騎海上,人見是青騾。

武帝愛神仙,燒金得紫煙。

廄中皆肉馬,不解上青天。

2014年1月31日 星期五

杜甫《房兵曹胡馬》

時值馬年,找回一篇有關馬詩的舊文。


               
            古人對馬的觀察之微、劃分之細、感情之深,令今人讚佩。自古以來,風雲叱吒的將士、弄墨尚武的文人,都與馬結下不解之緣。“駕彼四牡,四牡馬癸馬癸,君子所依,小人所腓。”我國文學史上第一部詩歌總集《詩經》的《小雅•採薇》篇,就生動記寫了戍邊將士與戰馬兵車互相依存、互相生威的關係。“乘騏驥以馳騁兮,來吾道夫先路!”“世溷濁而莫余知兮,吾方高馳而不顧!”我國文學史上第一位文人詩人屈原就更在多處詩句中留下了駿馬的足跡。而一世梟雄的西楚霸王項羽在垓下之圍慷慨悲歌:“力拔山兮氣蓋世,時不利兮騅不逝。騅不逝兮可奈何!虞兮虞兮奈若何!”更成為英雄愛美女、英雄愛寶馬,將美女與寶馬相提並論的千古絕唱。自此以後,吟咏駿馬的佳作精品就更不勝枚舉了……

房兵曹胡馬
杜甫
  胡馬大宛名, 鋒棱瘦骨成。
  竹批雙耳峻, 風入四蹄輕。
  所向無空闊, 真堪托死生。
  驍騰有如此, 萬里可橫行。

  這是一首咏物言志詩。注家一般認為作于開元二十八年(740)或二十九年,正值詩人漫遊齊趙,飛鷹走狗,裘馬清狂的一段時期。詩的風格超邁遒勁,凜凜有生氣,反映了青年杜甫銳于進取的精神。

  詩分前後兩部分。前面四句正面寫馬,是實寫。詩人恰似一位丹青妙手,用傳神之筆為我們描畫了一匹神清骨峻的“胡馬”。它來自大宛(漢代西域的國名,素以產“汗血馬”著稱),自然非凡馬可比。接著,對馬作了形象的刻畫。南齊謝赫的《古畫品錄》提出“六法”,第一為“氣韻生動”,第二即是“骨法用筆”,這是作為氣韻生動的首要條件提出來的。所謂“骨法”,就是要寫出對象的風度、氣格。杜甫寫馬的骨相:嶙峋聳峙,狀如鋒棱,勾勒出神峻的輪廓。接著寫馬耳如刀削斧劈一般銳利勁挺,這也是良馬的一個特徵。至此,駿馬的昂藏不凡已躍然紙上了,我們似見其咴咴噴氣、躍躍欲試的情狀,下面順勢寫其四蹄騰空、淩厲賓士的雄姿就十分自然。“批”和“入”兩個動詞極其傳神。前者寫雙耳直豎,有一種挺拔的力度;後者不寫四蹄生風,而寫風入四蹄,別具神韻。從騎者的感受說,當其風馳電掣之時,好象馬是不動的,兩旁的景物飛速後閃,風也向蹄間呼嘯而入。詩人刻畫細緻,維妙逼真。頷聯兩句以“二二一”的節奏,突出每句的最後一字:“峻”寫馬的氣概,“輕”寫它的疾馳,都顯示出詩人的匠心。這一部分寫馬的風骨,用的是大筆勾勒的方法,不必要的細節一概略去,只寫其骨相、雙耳和賓士之態,因為這三者最能體現馬的特色。正如張彥遠評畫所雲:“筆才一二,象已應焉,離披點畫,時見缺落,此雖筆不週而意周也。”(《歷代名畫記》)這就是所謂“寫意傳神”。

  詩的前四句寫馬的外形動態,後四句轉寫馬的品格,用虛寫手法,由咏物轉入了抒情。頸聯承上奔馬而來,寫它縱橫馳騁,歷塊過都,有著無窮廣闊的活動天地;它能逾越一切險阻的能力就足以使人信賴。這裡看似寫馬,實是寫人,這難道不是一個忠實的朋友、勇敢的將士、俠義的豪傑的形象嗎?尾聯先用“驍騰有如此”總挽上文,對馬作概括,最後宕開一句:“萬里可橫行”,包含著無盡的期望和抱負,將意境開拓得非常深遠。這一聯收得攏,也放得開,它既是寫馬馳騁萬里,也是期望房兵曹為國立功,更是詩人自己志向的寫照。盛唐時代國力的強盛,疆土的開拓,激發了民眾的豪情,書生寒士都渴望建功立業,封侯萬里。這種蓬勃向上的精神用駿馬來表現確是最合適不過了。這和後期杜甫通過對病馬的悲憫來表現憂國之情,真不可同日而語。

  南朝宋人宗炳的《畫山水序》認為通過寫形傳神而達于“暢神”的道理。如果一個藝術形象不能“暢神”,即傳達作者的情志,那麼再酷肖也是無生命的。杜甫此詩將狀物和抒情結合得自然無間。在寫馬中也寫人,寫人又離不開寫馬,這樣一方面賦予馬以活的靈魂,用人的精神進一步將馬寫活;另一方面寫人有馬的品格,人的情志也有了形象的表現。前人講“咏物詩最難工,太切題則粘皮帶骨,不切題則捕風捉影,須在不即不離之間”(錢泳《履園談詩》),這個要求杜甫是做到了。

轉自:http://big5.cri.cn/gate/big5/gb.cri.cn/3601/2004/08/14/342@266195.htm